I’ve worked with tape and ADAT in the past, but have
been out of recording for a few years. I’m just getting back into it
and have got my first computer recording setup, with a PC and a
Focusrite Saffire Pro 40 audio interface, but I’m confused by the buffer
settings: what buffer size should I use in my projects?
Dom Gately, via email
SOS
Reviews Editor Matt Houghton replies:
When it comes to buffer settings,
there’s a trade-off between achieving low latency and reducing the
strain on your computer’s CPU. The smaller the buffer size, the greater
the burden placed on your CPU, but you’ll get lower latencies (for less
audible delay), which is what you want when monitoring recordings
through your sequencer and any processing. Similarly, the greater the
buffer size, the greater the latency, but with less strain being placed
on the CPU. If the latency is too low, you’ll hear pops, clicks and
glitches as your computer struggles to keep up. You’re not doing any
damage, so if you need low latency, try setting it down as low as you
can until you hear those glitches and then raise it up a little.
When mixing, you’re likely to need more
processing power as you start to add more and more plug-ins. So if
starting a project from scratch, I’d usually set buffer size as low as
possible while recording or playing parts via a MIDI keyboard, but
increase it later, when the recording was finished and I was ready to
begin mixing in earnest. It’s also worth mentioning that, while
tracking, it should be fine to use a ‘lite’ version of a reverb
plug-in for artist monitoring duties, if this helps take the strain off
your CPU, and replace it later on when you want to sculpt the sound for
your mix.
SOS Features Editor Sam Inglis adds:
It’s not clear from the question what sort of recordings you’re making.
However, unless you’re using soft synths or samplers, it might be better
to use the Saffire Pro 40’s mixer utility to set up a low-latency
monitor mix. That way the question of buffer size becomes largely
irrelevant. 0
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