I always hear people
saying that the Mac Pro is the Mac of choice for musicians but, as a
hobbyist, I simply can’t justify the expense. I’m tempted by a Mac Mini,
as I already have a decent screen, but am concerned that it won’t be
able to cope with the requirements of audio recording. What are the
pros and cons?
Petra Smith via email
SOS
contributor Mark Wherry replies:
While it used to be the case that a
high-end computer like the Mac Pro was essential for running music and
audio applications, these days it’s really hard to purchase a system
that will be incapable of such tasks. It’s all a matter of how many
audio tracks, instruments and effects you need the computer to handle.
Among the most important factors to consider in determining such
handling are the type and speed of the processor, the amount of memory
and the speed of the hard disk.
Since the first Power PC-based model was introduced (see the full review at www.soundonsound.com/sos/may05/articles/applemacmini.htm),
the Mac Mini has established itself as a basic-yet-capable studio
computer. The current range features Intel Core 2 Duo processors, and
the 2007 MacBook Pro (which, with a 2.4GHz processor, had similar
performance capabilities) gives us a rough guide of the performance you
can expect: using Logic Pro 7, this was capable of running 150
PlatinumVerb instances, 54 Space Designers and 512 EXS24 voices (with
the filter enabled). Today’s baseline Mac Mini also has a 2.4GHz
processor, so those figures should be roughly comparable.
When
it comes to memory, the 2GB supplied in the entry-level Mac Mini should
be just enough to get you started. But you’ll find life rather more
comfortable with 4GB, especially if you want to work with sample-based
instruments. It’s worth bearing in mind that 8GB is the maximum amount
of memory supported by the Mac Mini.
In terms of
storage, the basic Mac Mini comes with a 360GB drive. But, perhaps more
crucially, this internal drive runs at 5400rpm — slower than those used
in most other Macs — which will limit the number of audio tracks you
can play back simultaneously. As a guide, you should expect to be able
to handle approximately 50 to 60 mono 16-bit tracks at 44.1kHz. However,
it is possible to connect a faster drive for audio, thanks to the Mac
Mini’s built-in FireWire 800 port — assuming you’re not already planning
to use this port for an audio interface, of course, since
daisy-chaining devices isn’t always possible.
Another
important factor when considering the Mac Mini, and one that might
initially sound a little bizarre, is price. Although the Mac Mini is the
cheapest Mac that Apple sell, its starting
price can be deceptive in terms of value, even though, on paper, it’s
several hundred dollars cheaper than the cheapest iMac. If you already
have a suitable monitor, keyboard and mouse, that’s fine. But if you
factor in the cost of these required devices to even the cheapest Mac
Mini, the price difference between that and the low-end iMac starts to
narrow considerably.
In a nutshell, the Mac
Mini remains a basic, yet capable machine that provides a good starting
point. However, in many ways, the entry-level iMac represents better
value for those on a budget, especially if you see yourself quickly
outgrowing the Mini’s capabilities.
No comments:
Post a Comment