It might be impossible to achieve perfect soundproofing against the sonic onslaught of heavy traffic, but small improvements can be gained quite easily.
I came across an interesting question posted on Slashdot recently...
"I live at the corner of one of the busiest intersections in my city (pop. 350k). Although I've replaced all windows, insulated, and caulked every square inch of the place, the fire trucks and cars with obnoxious stereos still regularly intrude on my home office. Most of the noise comes in through the windows. I'm considering mounting an oblong parabolic reflector in the ceiling above the windows with a steady feed of white or brownian noise directed into it (e.g., via a small speaker placed within the reflector) to create a 'wall' of sound that would act as a buffer to the outside world. Active noise cancellation would be nice, too, but that's probably more than I want to take on. I don't see any products on the market for this sort of thing. Does anyone have any experiences to share with similar homebrew noise remediation efforts?"
To summarize...
- The questioner suffers from noise coming in through his window
- He intends to create a 'wall of sound' with white or pink noise to block sound from coming in
With sound insulation, the tried and tested solutions are usually the best. Firstly, if at all possible, get away from the source of the noise.
If that isn't possible, the cheapest and most reliable solution is to block the noise using a massive, solid barrier to reflect it back to where it came from. Since it is the window that the noise is penetrating, the only practical option is to use glass.
Fortunately glass is an excellent material for sound insulation, and I have in the past made an insulating window myself and the results were good. Here's how I did it...
Improving the sound insulation of a window
The existing window was framed in metal with around twelve or so small panes. Dating from the 1920s it wasn't without a few gaps here and there. I sealed the gaps and also sealed three opening panes shut.
The depth of the reveal was around 250 mm so I constructed a wooden frame as far away from the original window as possible. The frame was designed to accommodate two panes of 6 mm glass. Effectively therefore I would end up with triple glazing.
I chose 6 mm glass because there was a steep price hike for thicker glass, but obviously the thicker the glass, the more sound insulation you will get out of it.
Following the advice of a BBC acoustics manual I set the panes in a flexible mastic so that they were not in firm contact with the frame. Prior to fixing the panes, I lined the reveal with carpet to absorb any sound energy bouncing around between my secondary window and the original window.
I can proudly say that the results were entirely satisfactory for my purpose. I suspect that the traffic noise mentioned in the question would require a more heavy-duty treatment, but the principles are the same.
I did learn a few things along the way however...
- While the glass was stacked up against the wall in my hallway I walked past and accidentally brushed my hand against the sharp edge. It was just an 'ouch', but I realized that when you're handling glass, you're dicing with death if you're not extremely careful.
- Although I had measured the frame carefully, I didn't notice that the reveal wasn't quite square at the corners. Fortunately I had enough leeway in the frame to fit the glass. Another half an inch and I would have been in trouble.
- I was ready to fit the glass in the evening when it was dark outside and I was working under artificial lighting. I decided to leave the fitting until the next morning, which was a good job because under daylight I could clearly see that I hadn't cleaned the glass well enough. Once fitted, three of the surfaces are of course permanently inaccessible.
- Although I cleaned the glass, I should have disinfected it too. Over the space of a few months some small rings of fungus grew on the interior surfaces.
- I might have paid more attention to sealing the outside window thoroughly. Over the next four years that I used this room, bugs would occasionally find their way in and die in the reveal. It doesn't affect the sound insulation at all, but it doesn't look pretty.
P.S. Don't forget that when you have sealed the window, you have also sealed off a source of ventilation in the room. You'll have to get your fresh air from a different source.
P.P.S. Many studio windows use angled panes. In theory this should be a good idea, but my BBC manual reckons that it doesn't make much of a difference in practice. Even so, it wouldn't have hurt to angle the panes, but I didn't think my carpentry skills would have been up to it.
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